#Van scott jr white pages alabama movie#

Wolfgang Sievers, Shift change at Kelly & Lewis engineering works, Springvale, Melbourne (1949) printed 1986. Wolfgang Sievers, Shift change at Kelly & Lewis engineering works, Springvale, Melbourne (1949) In it Sugimoto captures the magic of photography and cinema, and the nostalgia of the drive-in.Ģ. The resulting photograph contains a concentration of the moving images and projected light of the film into a vivid rectangle of white light. To make a movie, you have to sew single-shot photographic images together.

Before the invention of movies was the invention of photography.

#Van scott jr white pages alabama movie#

In a 2016 interview the artist described the images in this series as having 'accumulated the information of many millions of small photographs that a movie consists of. When the film started, Sugimoto would open the lens shutter of his large-format camera, closing it the moment the movie ended. To produce the images, the artist directed his camera at the movie screen, or in the case of Winnetka Drive-In, Paramount (1993), the screen at a suburban drive-in theatre. Light and time are both the means and subject of Hiroshi Sugimoto's 'Drive-In Theaters' series. Collection National Gallery of Victoria, Melbourne Bowness Family Fund for Contemporary Photography, 2009. Key Tracks: “Cosmic Slop,” “One Nation Under a Groove”Ĭontributors: Jonathan Bernstein, Tom Beaujour, David Browne, Brenna Ehrlich, Jon Dolan, J.D.Hiroshi Sugimoto, Winnetka Drive-In, Paramount (1993). In addition to playing “Diaper Man” in Parliament/Funkadelic, he was called “Starchild” in Bootsy’s Rubberband, and served as music director for the P-Funk All Stars, while his post-P-Funk career included collaborations with both Paul Schaffer and the Black Crowes. I’m both.” Although originally celebrated for putting the -delic in Funkadelic through searing, distortion-fattened leads on jams like “Cosmic Slop,” Shider was also a master rhythm guitarist, as evinced by his insistently funky playing on “One Nation Under a Groove” and “Atomic Dog” (both of which he co-wrote). When asked why he performed onstage wearing little more than an oversized diaper, Parliament/Funkadelic guitarist Garry Shider replied, “God loves babies and fools. put it, “I don’t know if I want to get too far off the path - I don’t want to get lost in the forest - but I like to wander out a bit and adventure.”

We also tended to give an edge to artists who channeled whatever gifts god gave them into great songs and game-changing albums, not just impressive playing.Īs modern blues visionary Gary Clark Jr. In making the list, we tended to value heaviness over tastiness, feel over polish, invention over refinement, risk-takers and originators more than technicians. (All you Balalaika shredders out there, keep at it maybe next time.) Our only instrumental criteria is that you had to be a six-string player. Many great guitarists realized their genius as part of a duo, so Kim and Kelley Deal of the Breeders, Adrian Smith and Dave Murray of Iron Maiden, and other symbiotic pairs share an entry. There are huge stars like Prince, Joni Mitchell, and Neil Young, and behind-the-scenes masters like Memphis soul great Teenie Hodges and smooth-rock assassin Larry Carlton. There are peerless virtuosos like Pat Metheny, Yvette Young, and Steve Vai, as well as primitivists like Johnny Ramone and Poison Ivy of the Cramps. The list has rock, jazz, reggae, country, folk, blues, punk, metal, disco, funk, bossa nova, bachata, Congolese rumba, flamenco, and much more. The earliest entrant on the list (folk music icon Elizabeth Cotten) was born in 1893, the youngest (indie-rock prodigy Lindsey Jordan) was born in 1999. We wanted to show the scope of the guitar’s evolution. But mythic guitar gods like Jimmy Page, Brian May, and Eddie Van Halen are only one part of the story. Guitar players are often as iconic as the lead singers for the bands they play in. Our new expanded list was made by the editors and writers of Rolling Stone. It was compiled by a panel of musicians, mostly older classic rockers. Rolling Stone published its original list of the 100 Greatest Guitarists in 2011. That’s why thinking about what makes a great guitarist is so much fun. Anybody can pick up a little guitar in no time at all, but you can spend a lifetime exploring its possibilities. It is who I am.” The guitar is the most universal instrument, the most primal, and the most expressive. “My guitar is not a thing,” Joan Jett once said.